How do artists define success in the streaming era.
A century ago, the modern music economy would have been illegal
It tells two stories from my life as an artist. These stories are not about the artistic product I create but instead concern how I have been affected by the world. A world none of us asked to be born into, and that we try to look in the eye regardless. Both orbit the problems of consolidated power.
Rob Arcand talks about blockchain and how it might be able to help independent musicians.
Not all Spotify playlists are created equally. To begin understanding this, look at them closely. Literally.
So many of the sites we rely on have big money behind them and even bigger profit motives in front of them. We have to think critically about where we build our communities, what data we give to corporations, and how (not if) they plan on monetizing us.
(If you don’t believe me, ask your nearest recording engineer what “API” stands for, then ask your nearest web developer.) But more importantly, working in both worlds sometimes feels like oscillating between two entirely different value systems.
The corporate content hegemony is worse than ever and we're stuck squabbling over the pitiful amounts of money our streaming overlords let slip through their grasp, or clinging to ad agencies and music supervisors like life rafts.